Bringend is a new fictional feature from Danish director Jeppe Ronde, set in a Welsh town where 75 people have committed suicide since 2009. The film stars Hannah Murray from Game of Thrones and may draw some box office interest in receptive territories, but it is too glum and clumsy for juniors. It has already received some festival play.
Review of “Bridgend” by Magnus Nordenhof Jonck
The Danish movie “Bridgend” is a compelling teen drama, making its Canadian premiere at Fantasia. But it’s not without its share of flaws. For one, it has a lamentable sense of hubris – attempting to make cinematic sense of a subject that feels so beyond reason.
Although inspired by real events, “Bridgend” doesn’t feel like a biopic. It is actually based on a real-life phenomenon – 79 young people have committed suicide in the town of Bridgend, Wales, over the last decade. Many of them were teenagers, and most didn’t leave any suicide notes.
In the novel, a girl named Sara (Hannah Murray) moves to a village with her father, Dave (Steven Waddington). She quickly gets involved with a group of mysterious youths who seem to be connected to a spate of recent suicides. Sara spends her days walking in the woods and attending parties with these young people, and she grieves for the dead. In fact, it is a chilling film by Magnus Nordenhof Jonck.
The real-life Bridgend suicides were not committed by a group of close friends. The suicides were spread throughout the town, and there was no one group of teens who were responsible. The real-life story did not involve a cult, and the suicides were actually a string of deaths throughout the entire county. The movie also didn’t portray the teenagers as degenerate, but rather as teens who are constantly partying.
The film is shot largely in the dark, which gives the film a claustrophobic, bleak atmosphere. The film’s score by the electronic trance artist Mondkopf has an eerie, electro-feel. However, the film’s setting and mood make it reminiscent of The Witch (2015). There are a few moments when the claustrophobic tone can be jarring, but overall, the film is worth watching.
The film is set in the Welsh town of Bridgend, which sadly seems to have seen better days. Unfortunately, the city is suffering from a rash of teenage suicides. The story is sad and realistic and the film is a must-see for those who want to experience something new.
“Bridgend” is a powerful film about suicide in Bridgend. It’s about the tragedy of 79 people who committed suicide in the city of Bridgend, Wales. The majority of the victims were teenagers. There is no clear explanation for the reasons why they committed suicide, but the media have discussed the issue extensively. Despite the tragedy, Ronde’s film does not attempt to offer any answers. It’s stylish and bleak, and its gloomy atmosphere is almost unbearable.
The story opens with an emotional roller coaster, with its own share of teen suicides. Sara, a new girl in Bridgend, slowly finds her way in the ruffian group that hangs out in the woods, drinks alcohol, jumps naked into a pond, and visits a suicide site. The angst, despair, and helplessness that a young girl experiences in Bridgend is unsettling.
Review of “Bridgend” by Hannah Murray
The Danish filmmaker Jeppe Ronde’s latest, “Bridgend,” is based on a real-life story. Over the last decade, dozens of young people from the Welsh town committed suicide. Few theories have been offered as to what caused this tragic cluster. Now, a new film, “Bridgend,” aims to answer that question.
Set in a small town, Bridgend is a teen suicide blackspot. A widowed police officer, Dave, moves his daughter Sara to the town, where he is the only police officer investigating the deaths. Sara’s posh air doesn’t prevent her from mingling with the locals, who hang out in the dark, tree-lined reservoir.
Sara has lived in Bristol most of her life but now she’s returning to her hometown of Bridgend. She lives with her police officer father, Dave, who is frustrated by the failure to make any inroads in a town full of teenagers. Dave is doubly frustrated by the fact that Sara is slowly coming into the group of kids. While the group is mourning another teenage boy’s suicide, the boys start hanging in the woods nearby.
The film opens with a boy hanging from a tree. He is far from his home town, in the middle of the woods, and away from the commotion of everyday life. He is accompanied by his dog, which whimpers in the woods beside his dead body. The film is both poignant and suspenseful.
The film’s atmosphere is haunting, and its cinematography must match its tone. With murky music and a moody tone, the images are atmospheric but don’t overwhelm the plot. In fact, the film’s moodier aesthetic draws comparisons to Derek Cianfrance’s The Place Beyond the Pines.
While “Bridgend” is a very good film, it could have been much better. Its story could have explored more of the thoughts of its characters. But instead, the narrative lags in the middle, leaving the audience wondering what the point of it all is.
While Ronde’s macabre coming-of-age drama is, the movie loses steam as the narrative becomes more important. Sara, the lead character, never shows any feelings, and her relationship with Jamie (Josh O’Connor) is not entirely convincing. It also seems based on an American New Wave ideal.
A horror film, Bridgend is full of characters who have no place in society, yet are not entirely disaffected or naive. Their philosophies are mysterious and unknowable. Jamie, the man-of-the-cloth father of Sara, is uncomfortable with the local adults’ contempt. His distance between Sara and her daughter leaves a void in the story that only Laurel’s pack can fill.
While the premise is intriguing, “Bridgend” fails to tap the emotion of its teenage characters. In addition, it tries to trivialize the drama with bombastic plot twists. The teens do things that make little sense and the book’s tone is dark and gothic. Overall, the novel is a unique and haunting experience.
The protagonist of the novel, Sara, is a new girl to Bridgend who has no friends. She is soon introduced to the group by a local teen, Laurel. Sara is infatuated with Jamie, who resembles a death cult.
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